Abstracts-Quadrilaterals
The hard-edged geometric abstract art of the past can fail to engage with the complexity of today. I wanted to provide the relationships of time and space that supply greater context and meaning to works.
I take the foundational work of Joseph Albers (1888-1976), Sonia Delaunay (1885-1979), and Carmen Herrera (1915-2022) and extend it. My works have less confrontational colors, but more rhythm. The front-most shapes have a history drawn from the receding past.
Many of my pieces draw harmony from a life constraint: all colors live in strict quadrilaterals, though sometimes portions of their lives become obscured by more forward events. Building the layers and designing the implicit structures of these quadrilaterals can take weeks. A very architectural effort.
While I give them titles sourced from my wilderness memories, those titles are only my starting point. You should take the images forward into your own dreams.
The hard-edged geometric abstract art of the past can fail to engage with the complexity of today. I wanted to provide the relationships of time and space that supply greater context and meaning to works.
I take the foundational work of Joseph Albers (1888-1976), Sonia Delaunay (1885-1979), and Carmen Herrera (1915-2022) and extend it. My works have less confrontational colors, but more rhythm. The front-most shapes have a history drawn from the receding past.
Many of my pieces draw harmony from a life constraint: all colors live in strict quadrilaterals, though sometimes portions of their lives become obscured by more forward events. Building the layers and designing the implicit structures of these quadrilaterals can take weeks. A very architectural effort.
While I give them titles sourced from my wilderness memories, those titles are only my starting point. You should take the images forward into your own dreams.
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